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 The transfiguration, Peter Paul Rubens, 1605, oil on canvas, Musée de beaux-arts de Nancy. Credit: Wikimedia Commons Moses is another Old Testament figure who foreshadows Jesus Christ, like Joseph. In fact, the parallels are striking. While there are certainly major differences between the two—Jesus lived a sinless life; Moses killed a man; Moses establishes the moral and civil code of a nation; Jesus says his kingdom is not of this world—but in at least seven key ways, Moses’ life hints at the character and mission of the Messiah to come.
 Credit: www.amazon.com When I was twelve years old, we read a short story called The Scarlet Ibis by James Hurst in my Grade 7 English class. The dying ibis that lands in a tree in the backyard, my teacher explained, was an example of foreshadowing, the author letting us know in advance about the tragedy to come. I was entranced. To this day when someone mentions foreshadowing, I see a scarlet ibis in my mind.
The Bible is full of foreshadowing as well, but of a special kind. Throughout the Old Testament are figures whose lives predict to greater or lesser degree what the Christ would be like, called types. The first one we encounter is Joseph, around 1850 years B.C., whose life story shows four key aspects of Jesus’ character and mission.  Black Grey Beat, 1964, by Gene Davis, SAAM. Credit: www.smithsonianmag.com One of the main poetic devices in Biblical poetry is a repetition of two or more ideas, called parallelism. Like most Hebrew poetic devices, this is hyper-translatable, since its beauty does not depend on the sounds of any given language. This is the major characteristic of Hebrew poetry and it parallelisms are used extensively in all the books of Wisdom and Prophets from Job to Malachi.
 St John the Evangelist, Carlo Dolci (1616- 1686), Private collection. Credit: sacragaleria.blogspot.ca/sao-jao-evangelista.html Have you ever been so excited you could hardly sleep? That’s what happened to me the night I noticed something amazing in John’s Gospel. Toward the end of writing my post on the seven signs in John’s Gospel, I saw there was yet another chiastic structure. The more I thought about it, the more I was blown away by both John’s message and his literary genius.
Take a look at the signs in order:
 Credit: Thee Blog, diegoguevara.com Ever wondered why John’s Gospel has such different feel than the other three, which we call “synoptic” or “same view”? For one, Matthew, Mark and Luke record many more of Jesus’ miracles without necessarily drawing lessons from them. In contrast, John says what he’s recording are signs, actions that symbolize some element of Jesus’ nature or mission or power. His account of Jesus’ three teaching and ministry years is a crescendo of miraculous events that culminates in the raising of Lazarus from the dead. Let’s take a look at all seven signs and what they say about Jesus.
 Le Bon Pasteur, James Tissot, c.1886-1894, The Brooklyn Museum Online Collection, Credit: Wikimedia Commons Remember metaphors? My love is like a red, red rose. Oh wait, that’s a simile. A metaphor is You’re a three decker sauerkraut and toadstool sandwich with arsenic sauce. Just like You’re a Mean One, Mr. Grinch, John’s Gospel is full of sit-up-and-take-notice metaphors. In this post, I’d like to talk about the structure of the 7 metaphors and what that means for interpreting them. Here is the list in order of appearance:
John 6:35, 48, 51 I am the Bread of Life John 9:5 I am the Light of the World John 10: I am the Gate for the sheep John 10:11, 14 I am the Good Shepherd John 11:25 I am the Resurrection and the Life John 14:6 I am the Way, the Truth and the Life John 15:1 I am the True Vine  Did you ever have to write an acrostic poem in elementary school? You know, down the left side of the page you write your name and for each letter you write a word or phrase that describes you? I was never very impressed by our so-called poetic creations and I came to view acrostic poems as poetry-for-people-who-can’t-write-poetry.
Later, my opinion of acrostics recovered as I discovered poems where the initial letters didn’t stand out from the others and spelled a code or a series of words, such as in Geoffrey Trease’s Cue for Treason, or Lewis Carroll’s The Looking Glass. And the Bible is full of acrostics, too, though instead of spelling words, they are abecedarian, a list of the letters of the alphabet.  Credit: openclipart.org Two facts about the original languages of the Bible are important in appreciating God’s master plan. First, the fact that the New Testament was written in Greek, which had the same cross-cultural importance as English in the first century, meant that though few of the readers or writers spoke Greek as their mother tongue, everyone understood it and thus the gospel stories and the letters could rapidly and easily be disseminated all over the Roman world.
Second, the fact that much of the Old Testament is written in Hebrew, especially the works of poetry and prophecy, mean that readers of translations of these literary styles can still appreciate the beauty of the language. Why? Unlike English or many other languages, the poetic devices of Hebrew do not depend on the sounds of the original language. In English, traditionally, we have depended mostly on metre (how many syllables in a line and the pattern of stressed or unstressed syllables in a foot) and rhyme (same sounds at the end of a line). For example, |
Femme lisant. Jean-Baptiste-Camille Corot, 1869, oil on canvas, 21.4 in x 14.8 in, Metropolitan Museum of Art.
Carolyn JohnsonFor a lot of people, the Bible is either art or truth. For me, it's both, and I hope to persuade readers in both camps to see the other perspective. Archives
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